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First of all, I appreciate this movie. I was quite surprised to glimpse it’s release on DVD, and needless to say, I grabbed it. There is no doubt that this disc is loaded with extras, but sadly, the claim that the film has been “fully restored” is extremely misleading. The advantage of these review forums, is to provide insight, from someone who has already bought the product, to those involved. And, that’s what I’m here to do.
Here are the DVD’s special features, as listed: LETTERBOXED PRESENTATION (1.85:1), REMASTERED SOUNDTRACK (in Dolby 5.1 and DTS), NEVER-BEFORE-SEEN FOOTAGE, AUDIO COMMENTARY: Jack Vacek (Cinematographer) and Warner Leighton (Editor), 3 TRAILERS (The novel theatrical trailers for “GONE IN 60 SECONDS” and “THE JUNKMAN”, and another for the remastered version of “GONE IN 60 SECONDS”), EXTENSIVE BEHIND-THE-SCENES PHOTO GALLERY, DVD-ROM CAPABILITIES, INTRODUCTION with Denice Halicki (H.B. Halicki’s widow) and “Eleanor”.
Sounds very enticing, proper? That’s what I idea. Hell, to be fair, I really didn’t care about the extras, as long as I could collect H.B. Halicki’s fresh classic on DVD! Naturally, I immediately keep the DVD in. Then, my dissapointment began.
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Now, what the packaging WON’T snort you, and what I’m about to, is that this isn’t, in fact, a “fully restored” version of the film, but rather, one that has been doctored. Unfortunately, the entire film has been RE-SCORED with crappy music, supposedly aimed at “updating” this classic film, thereby dumping ALL the music from the modern sever. Yep, the catchy opening title “GONE IN 60 SECONDS” tune is gone, along with the “SUPERMAN” tune, and everything else, as well. Needless, to say, I am very disappointed. Why do people feel the need to mess with movies, like they do? I don’t assume H.B. Halicki would have been proud with what his widow has done with the rights to the film, so far.
I probably wouldn’t have minded this DVD release, if it had offered the fresh mono soundtrack on a separate audio channel, like most other remastered DVD’s offer. Then, I would have been aesthetic with it, as long as I could have the version I wanted to gawk. Instead, anyone with hopes to earn a price original copy on either DVD or video of this classic car theft film, in it’s unusual format, are aesthetic distinguished screwed. And, that’s too dreadful. So, my advice is to stick with the current out-of-print MEDIA Home Entertainment release. Bear me, that tape will level-headed be in grand quiz for years to arrive.
One more thing, there is a website: www.gonein60seconds.com. Perhaps, this would be a mountainous dwelling for suitable fans of the film to file their complaints. And, who knows, maybe someday we will survey the unusual version released in a respective manner on DVD.
First of all, I’ve loved this movie since I was 6 years passe. My mom and dad saw it in the cinema — more than once — while they were dating in 1974. To say the least, this title holds special significance in my whole family. Which is why it’s spacious to witness it re-released on both VHS and DVD for all to delight in.
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For those of you who, like me, have every scene, every line, every sound attain of the fresh movie committed to memory, you will be skittish when you play the “remastered” version. For one thing, the portray is lovely. It’s never looked so honorable. And the soundtrack has never sounded so worthy, either — because it’s been completely redone from scratch. That’s the other thing. The sound effects are all fresh. Gone are the authentic, live-recorded engine sounds, tire screeches, and other hard effects. Gone also is the unique music, including my accepted tune, “I Do Hope The Man Doesn’t Accept Me”, and the title song, “Gone In Sixty Seconds”. For someone looking for a lawful re-release of the authentic, fresh film, this is disappointing. But for me, someone who already owns an new copy of the veteran MEDIA videotape release of the film, I seek this remastered version impartial as a fun modernization of one of my current flicks.
The recent sound effects are glowing. I am a sound designer among other things, and some of the fresh crashes and guttural V8 engine sounds made me drool. They may not be true-to-life anymore, but they are mountainous in their possess good. It’s almost surreal, seeing all these ancient muscle cars, but hearing crystal-clear digital stereo effects. By incompatibility, the disturbingly mono fresh dialogue track underlaid beneath them sounds almost ridiculous! Fortunately, there is no need for noteworthy talking during the 40-minute lag, easily the highlight of the film.
In short, to really relish the remastered version of Gone In 60 Seconds, you’ve got to pick it for what it is — a novel “refreshment” of the unique film. It’s been remixed to appeal more to the same young crowd who enjoyed the 2000 remake with Nicholas Cage. If you are a factual Gone In 60 Seconds fan, however, don’t finish here. Go in search of the unique 1974 film in all its glory, on its fresh video cassette. A factual fan must indeed have both, for the audio differences between the two versions are so clear, you could almost contemplate them two separate films.
