Watch Roseanne: The Complete Seventh Season Movie Online

March 17th, 2010 by kennedi3337409
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Movie Title: Roseanne: The Complete Seventh Season
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Season 7 peaceful has enough edifying episodes and even some huge ones for it to be worthwhile viewing, but it is definitely the beginning of the destroy. The season opener isn’t a standout as is normally the case, but it is marvelous enough. Dan is tired of not having any privacy, and tells Roseanne that Imprint and Becky have to go, having been in the house since the previous Thanksgiving. At the raze of the episode she tells Dan that she has told Stamp and Becky that they have until May to accumulate current living quarters, and by the scheme, she’s pregnant. Thus begins one of the longest pregnancies in the history of television - thirteen months plus the time Roseanne has been pregnant before she announces the news. The next bit of life changing information comes when Jackie discovers Darlene at a motel in the middle of the day. It seemed a bit exclusive that Jackie was “telling on” a girl that the Conners had basically emancipated the year before when the whole incident of Darlene and David actually living together came to light. However, it turns out that the boy with Darlene is not David, it’s a unusual boyfriend - Jimmy. David says he is OK with it, but Roseanne is not and tells Darlene to design a choice. She does - and dumps a heartbroken David. David employs first one strategy and then another to glean Darlene support, but they honest backfire and further alienate her from him. Towards the slay of the season, David does go on with his life and starts dating a girl that is not Darlene. This rouses some unexpected feelings on the piece of Darlene, and she reconsiders her earlier decision on their romance. The whole reveal of the broken romance between David and Darlene is one of the best parts of the season.

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The Halloween episode this year turns out to be righteous. This episode involves a two-pronged joke aimed at Roseanne by the rest of her extended family. The first allotment involves suspicions being raised about Fred’s sexual orientation when he seems to know all of the guests at Leon’s Halloween party objective a dinky too well. The second prong of the joke concerns a wig that appears to be identical to Roseanne’s mother’s hair, which makes her wonder if her mother might be bald and if it might be hereditary. “Rear Window” seemed like an episode from one of Roseanne’s earlier years in its mood and humor. This episode has two elderly neighbors who constantly rush around unclothed in plump opinion of Dan and Roseanne’s bedroom. They are repulsed, yet they cannot explore away. They finally settle to talk things over with their neighbors, but an argument ensues, and the only method Roseanne can acquire her point is to do a tiny demonstration of her gain.

So far so edifying, and if the entire season had gone this design, it might even merit five stars. However, there are some troubling trends that started to emerge the previous season that continue to grow. Probably most prominent of these is the drawl of showing men as being completely disposable except for the purpose of procreation. The worst example of this is the Thanksgiving episode in which Roseanne gets a message from her doctor that there may be something injurious with her pregnancy. Every time Dan tries to do or say anything, Roseanne screeches at him as to how this will be handled is totally her decision. Instead of treating Dan like a caring enthusiastic father who wants to serve shoulder the load, she acts like he is some Red Spot senator who is lecturing her. Her verbal abuse on this voice even extends to D.J. Then there is the jabber of Jackie and Fred. At mid-season Jackie begins to tire of Fred, going out for nights of dancing with another man. When this comes to light Fred understandably leaves. However, Jackie likes her new-found independence and seems genuinely disappointed when Fred wants to return home and give things another try. From that point on, she refers to him more like a nest of termites she can’t afford to exterminate than the husband she married less than a year before. In the ruin, while the two are eating what is supposed to be a romantic dinner, Jackie tells him it is over. He rolls over and takes this decision with no further discussion, and subsequent seasons watch no further mention of Fred - he’s not even mentioned again as being allotment of his son’s life. Thus Fred has fulfilled his purpose - having swam upstream to spawn, and having accomplished that mission, he evaporates like a daydream who was never even given the courtesy of a last name.

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Jackie’s personality is an yelp this season too. She slowly evolves from a savory bundle of neuroses into a faulty between Barnie Fife and, when Bev is around, Norman Bates. You truly secure the feeling she wants the woman to die. There is one episode this season in which Bev and Jackie act like a normal mother and daughter sorting out years of harm feelings and misunderstandings, but it is honest an island of humanity on both their parts in a sea of them both treating each other monstrously. Also, Becky and Effect are behaving more like cartoon characters at this point than the fiery couple with the volatile romance that they were in seasons three and four. Notice is behaving like amusing relief to the point that you have to wonder what Becky even sees in this maroon, while Becky treats Price like she really doesn’t put a question to any more from life or him than this, which is unusual when in high school she was such the super-achiever with enormous dreams.

There are unruffled enough suited episodes in this season for me to recommend it, but if you are a long-time viewer of Roseanne you’ll pick up yourself scratching your head at many points during the season wondering - What was THAT?

A couple reviews have called this season the beginning of the extinguish. As I gape it, however, it’s more like the middle. The “beginning” of the destroy came about halfway through season five when Lecy Goranson hit the road, Roseanne’s ego started to surface more persistently, and the Conner family dynamic began changing. The reveal started its decline wait on then, and with season seven there was unfortunately no turning wait on to the glory days of the show’s first four years.

Season seven had its fragment of problems, but the biggest of them may have been the star herself. The lines between Roseanne Barr and Roseanne Conner were terribly blurred by this point. The working class heroine from the show’s early years had vanished. Barr was harsh, abrasive, and always screaming this season. That stuff worked pleasing early on because it wasn’t constant, and she managed to play Roseanne Conner with heart and a bit of humility (qualities that weren’t so apparent later on) .

Meanwhile, sitcoms that center on families always suffer as the kid’s age, so I don’t mind the fact that the family dynamic changed w/ Darlene and Becky both leaving the house (temporarily), but having David in the house full-time was a bit of a stretch. And having Designate and Becky disappear in objective to maintain a void wasn’t primary either. Of course, had Goranson been playing Becky at the time, I may not have minded so mighty. The horribly miscast Sarah Chalke was awful as Becky, merely saying her lines with no emotion or impact at all.

The heart of the note was impartial gone by this point, but I’ll retain buying the DVDs to complete the collection.

Top Cat - The Complete Series Movie Streaming

March 11th, 2010 by kennedi3337409
Top Cat - The Complete Series Movie Streaming. Top Cat - The Complete Series Movie Streaming.

Movie Title: Top Cat - The Complete Series
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Not taking anything away from “The Flintstones” or “The Jetsons” or any of the other great Hanna Barbera cartoons, but “Top Cat” may just be the funniest, hippest, smartest show HB ever put out. From the writing, the backgrounds, setting the show in a real (as opposed to fictional) city–New York–and Gershwin-esq music ques, every episode of “Top Cat” is quality comedy from the first frame to the last. I absolutely loved this show as a kid, and now that I’m an adult I can watch it with a new appreciation for the talent that went into making it.

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Seven characters voiced by six great actors (The wonderful Leo de Lyon pulled double duty as the voice of both Brain and Spook), each with a distinct and endearing personality. Arnold Stang is brilliantly cast as Top Cat, bringing a sensitivity and vulnerability to the role of this “hukster.” Maurice Gosfield is hilarious as the delightful Benny the Ball, as is Marvin Kapland as Choo-Choo. And Allen Jenkins is perfect as officer Dribble, er, I mean Dibble. Really, the only character who doesn’t do much for me is Fancy-Fancy, but the episodes tend to leave him and Spook (whom I do like) a bit more in the background than the other characters.

Combine great characters with great actors and great writing and you get some great comedy. In the first episode, “Hawaii Here We Come,” the opening shot of little Benny hula dancing and singing “Aloha Hoyiiiiie!” is just one of the funniest things I’ve ever seen. And in that same episode they seem to take a swipe at Disney with a line about Davy Crockett and “that song,” which Dibble tries to remember but comes up with “Daaaavy Crockett, with the googlie eyes . . . no, that’s not it.”

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This is most definitely a show for all ages. Kids will like the funny cats, and adults will appreciate the more subtle aspects of the humor. On that basis alone I’d recommend this DVD, but wait! There’s more!

This DVD package has some great extras. The documentary Back to Hoagy’s Alley, hosted by Leo de Lyon (Spook and Brain) is very nice, and I really love the interview with Mr. T.C. himself, Arnold Stang. I have watched one of the commentaries so far, and that’s very good as well, and I look forward to watching the other two. Video quality is excellent and holds up even on my 42″ plasma. My only complaint (just a nit-pick, really) is that disc 4 is two sided so you have to flip it over. Couldn’t they have made it single sided, dual-layered instead? Oh, well, not really important.

In short, if you are a fan of TV animation from the 50s and 60s then you must get this set. It’s a shame that T.C. only got 30 episodes (though they were shown for years on Sat. mornings). This show should have gone on much longer. But maybe with this DVD release T.C. will get some new fans and the show will get the broad recognition it deserves.

During the 70’s and 80’s Mexican television (Televisa) was too cheap to buy any new programs, so they kept on showing the same shows OVER and OVER, Pink Panther, the first Spiderman series, Here Comes the Grump, Señorita cometa and others became cult classics to my generation. Among these shows stands out Top Cat (Don Gato), particularly because of the genius of the dubbing artists who gave regional Mexican accents to the different cats, and would often insert off-color humor into the show (some of which only now, upon seeing these again) I’m finally getting. I was a bit worried when I bought the set because I didn’t know if the spanish dub was included and original, but I was not dissapointed.

Now, if I can only get a DVD of Señorita Cometa or Here Comes the Grump I’ll be really happy reliving my childhood.
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January 30th, 2010 by kennedi3337409
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Movie Title: The Butterfly Lovers
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THE BUTTERFLY LOVERS is based on the famous love story of male student Liang Shan-bo and his classmate, Zhu Yingtai, a girl who disguises herself as a boy in order to gain entrance to the academy at a time in China’s history (first century A.D.) when schools were not open to girls. Zhu falls in love with Liang and eventually tells him the truth about herself. When they make plans to marry, her parents intervene and pick another husband, a man from a highly connected noble family. Tragic results ensue.

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I happened to see this Taiwanese animated version right after seeing two earlier Hong Kong live-action film versions of the same story, LOVE ETERNE (1963), directed by Li Han-hsiang, and THE LOVERS (1994), directed by Tsui Hark. LOVE ETERNE is told in the Huangmei Opera style, where part of the dialogue is sung (and the male role is played by an actress, Ivy Ling Po), while THE LOVERS is more of a straightforward love story, with two pop singers of the time, a male and a female, Nicky Wu and Charlie Yeung, playing the lead roles. Both films are spectacular tearjerkers.

I wish I could say that the newer animated film compares favorably, but it doesn’t. Its first hour seems to owe more to the Disney model than to Asian animation styles and makes changes in the story to make it more palatable to very young children, including several slapstick sequences, buffoonish cartoon villains, and cutesy animals that do funny things. The lead characters have their names pointlessly anglicized in the subtitles to read “Leon” instead of Liang and “Jo” instead of Zhu. While the design for these two characters is sleek and elegant (even if Jo looks a little too much like Disney’s Mulan for my tastes), the other characters are too cartoonish to serve the drama well. Ma Wen Cai, the man to whom Zhu is promised, is hardly seen in the live-action versions, while he becomes a major character here and is painted as an unscrupulous bad guy, always accompanied by three goofy henchmen. The lead characters’ servants are not terribly well designed either. These are important characters but they become silly kids here (complete with a kissing scene that is wildly out of place).

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The last half-hour adopts a more serious tone as the tragic elements of the tale kick in. Despite a watered-down ending with an abundance of schmaltz, this section is actually more moving and satisfying than anything in the rest of the film. The pain and grieving of the two lovers is adequately expressed and the imagery is often quite beautiful. (The animation is 2-D digital animation, which means that no paint was used–all the coloring and linework were done by computer.)

The score relies on the deeply affecting violin concerto, “The Butterfly Lovers,” by Chen Gang and He Zhan Hao, which also provided the score for Tsui Hark’s 1994 film. However, the filmmakers here feel the need to punch up the soundtrack with pop songs sung by one or both of the two lead voice actresses, Taiwanese pop singers Elva Hsiao and Rene Liu.

The film was released in Taiwan at the end of 2003, not 1995 as listed above.

The Butterfly Lovers re-imagines a classic Chinese folktale for a new generation, but, sad to say, it falls a bit short of enchantment. If you take a chance on purchasing it, you probably won’t be disappointed with the animation, but I doubt you’ll return to it often. To this animation aficionado, The Butterfly Lovers suffers from the same maladies as the majority of Dreamworks animated films - technically-accomplished animation that tries desperately to support scripts that lack both eloquence and substance. In the end, the film is just the culmination of dutiful animators, not passionate artists. It’s missing its living spirit, and the magic is easily broken.

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January 29th, 2010 by kennedi3337409
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Movie Title: Smokey and the Bandit: Pursuit Pack
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Three stars overall, five stars for the first film, 3 stars for the second, two stars for the third and 0 stars for Universal skimping on extras.

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Part of Universal’s “Franchise Collection”, this collects all 3 “Smokey and The Bandit” movies on one double sided DVD at a reasonable price.

I’m one of those people who don’t automatically run to see a sequel of a movie that was wildly popular, especially if it was of one I enjoyed, for I’m in fear of being let down. “Smokey and The Bandit” was one of those movies. I let my friends see the sequels and give me their one sentence reviews. Usually they’d reply with a long drawn face and say it wasn’t as good as the first one. That was good enough for me.

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The first “Smokey” was a true classic as well as being a big money maker for Universal. The second highest grossing movie of the year 1977 (something called “Star Wars” was first), it was pure fun with Burt Reynolds, Sally Field, Jackie Gleason and Jerry Reed and a few chases and wrecks. It’s still fun and fast paced today and has aged quite well. It’s a true 70’s movie though with the hairstyles, the cars, the wardrobes and CB radios. It’s worth owning just for this movie.

It was with hesitation that I sat down and watched the two sequels. “Smokey and The Bandit II” was a bit darker especially with Burt Reynolds’ character. Dom DeLuise was a good addition to the cast, the story was ok although I wasn’t fond of ALL of Jackie Gleason’s characters and I wasn’t happy with the ending. Still, a decent follow up.

“Part 3″. Shame on Universal for trying to eke out the last bit of money from the public on this one. Jerry Reed - I think you’re great, but not in this one. You were no Bandit, and that mustache. If you’re a Jerry fan, try “Concrete Cowboys” for something a bit more fun. This was recycled scenes, recycled bits, and even recycled dialogue. The Sally Field role played by Colleen Camp was excruciatingly painful. Not even Fred the dog was around too long! Not even any songs by Jerry Reed in this one! I kept watching this movie for something good and the saving grace was being able to watch Jackie Gleason take the spotlight. And that’s how I’ll remember this last of the trilogy, with the Great One making one more great stand.

Kudos to Universal for the widescreen and the best available sound and for a decent price. Boo hiss to Universal for no extras (except for trailers for the first two films). I know I’ll watch the first one again, and if I’m in a Jackie Gleason frame of mind, maybe the third installment. And I’m happy to be able to have some outstanding stunt work directed by Hal Needham in my collection. Now if they’d only release the soundtrack to “Smokey and The Bandit” on CD!

THE GOOD: Smokey and The Bandit was one of the most successful moneymakers of the 1970s, although critics panned it. There are those who love Smokey and The Bandit, as I do, and those who hate it, but most folks loved it when it was first released in 1977 and it continues to win people over to this day. Heck, even Alfred Hitchcock thought it was one of the best movies he’d seen at that time. (This movie alone is the only reason I’d give the “pursuit pack” a rating of two stars.)

THE BAD: Smokey and The Bandit 2. As much as I enjoyed the first Smokey movie when it came out in theaters, I was really bummed out about this sequel a few years later. Smokey 2 is simply the result of Hollywood’s cold math: “even if this picture stinks, it will make at least a quarter of the first movie’s profits on name recognition alone, and that’s a heck of a lot of money, so let’s do this turkey.” Watching Burt Reynolds & Co. phone it in (Reynolds reportedly made $5 million from this picture) is painful, but seeing the Bandit as a drunken lout really bogs the movie down. Not to mention the fact that there’s really no joy here. Gone is the fun and action and sense of spontaneous humor from the first Smokey flick; this one will leave you feeling cold and disappointed. (The only vaguely positive thing I can attribute to Smokey 2 is that my pre-teenage sister developed a mad crush on Jerry Reed after seeing this movie.)

& THE UGLY: Smokey and The Bandit 3 was the sequel nobody asked for. It’s hard to imagine there was an actual screenplay written for this aBOMBination…and if there was a screenplay, it must have been written on a cocktail napkin. Smokey 3 is a lazy retread of scenes from the first two Smokey movies (including an opening “remember when” sequence which merely pads the film to an 80-minute running time) and not even the great Jackie Gleason can save this mess. Originally titled “Smokey IS the Bandit”, Gleason played both roles of Sheriff Buford T. Justice and The Bandit. Test screenings (predictably) flopped; the film was reshot and sliced and diced until voila….you have Smokey 3, a disaster which never should have been given the green light in the first place. Burt Reynolds only appears in a brief, tacked-on scene at the end of the film; perhaps he was contractually obligated to do so?

All three “Smokey” movies are on this single (double-sided) DVD, and the price is not too shabby. Image quality is very crisp, although there are no extra features whatsoever. However, I’d recommend buying the standalone DVD of the first Smokey movie and skipping this set, as two of the three movies in the “pursuit package” should not be pursued, but given the deepsix.

Streaming Tora! Tora! Tora! Online

January 29th, 2010 by kennedi3337409
Streaming Tora! Tora! Tora! Online. Streaming Tora! Tora! Tora! Online.

Movie Title: Tora! Tora! Tora!
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I’m not a big war-movie buff any more (THE SEARCH FOR PRIVATE RYAN cured me) but this is a worthwhile film if you have an interest in WWII. TORA! TORA! TORA! is a documentary-type film. Think of it as a Stephen Ambrose book recorded live. The film is neither a glorified fifties war-film (IN HARMS WAY, BATTLE OF THE CORAL SEA), nor is it a Viet Nam noir-war film (PLATOON, THE DEER HUNTER). (Neither of which are particularly authentic.)

TORA! TORA! TORA! recreates war from the perspective of news correspondent-participant-observer. The story is presented from both the Japanese and American viewpoints and it is presented like a History Channel film.

It took the film crew several months to film TORA! TORA! TORA! I was living in Navy housing on Pearl Harbor at the time and a number of our friends and acquaintences found part-time jobs acting in the film. “Real” military pilots in-between rounds in Viet Nam flew some of the planes (this was 1969).

Much of the architecture in Honolulu was vintage WWII era or earlier and the rest of the island was relatively unchanged from the 1940s. The terrain looked very much as it had when my father-in-law passed through on his way to Guadalcanel and later Iwo Jima.

I cannot tell you the names of the aircraft (my husband could) but I was told that they used real aircraft from the period including the P40s the U.S. flew and the captured Zeros the Japanese flew. We drove up to Schoffield Barracks to look at the old airplanes lined up row on row. During the filming, one of these old planes crashed in a sugar cane field and burned up before the pilot could be rescued. The daily flights overhead, the real crashes, the reenactment of the destruction in the harbor, the daily flights in and out of Hickam as men and material destined for Viet Nam left and wounded and dead arrived–was all very weird.

Well, this is an excellent film. The new PEARL HARBOR relies on all sorts of technology, but if you want to see how Hawaii really looked in 1941 and how the planes really looked, and how the crews really looked, and obtain some sense of how terrifying it was to be in Pearl Harbor on December 7, 1941 this is the film to see.

I first saw Tora! Tora! Tora! (Tiger! Tiger! Tiger! in Japanese) in 1974, when I was 20 years old on Atlanta’s Channel Two. As strange as this may sound, I have always liked movies about World War II. My stepfather had served in the Navy during the war and in fact he had joined the service shortly after the Japanese attack on Pearl Harbor, which is the subject of this 2 hour and 25 minute-long Japanese-American 1970 production.

This movie was directed by several directors including Toshio Masuda and Kinji Fukasuka, but the American version (yes, there is a Japanese version) gives the credit to veteran director Richard Fleischer. Based on Gordon W. Prange’s “Tora! Tora! Tora!” and Ladislas Farago’s “The Broken Seal”, the film accurately depicts the events on both sides of the Pacific leading up to the stunning attack on the U.S. Pacific Fleet on Sunday, December 7, 1941.
Even though it covers an 18-month period between Admiral Yamamoto’s (Soh Yamamura) initial planning for Operation Hawaii and the attack itself, Tora! Tora! Tora! (the title refers to the code used to inform the Japanese that the Americans had been caught by surprise) never drags or seems dull. I learned, for instance, that Japanese Ambassador Nomura was a skilled and honorable diplomat who did not know what his country’s military leaders were planning, and that he hoped to avoid war. I was also stunned by how General Walter C. Short (Jason Robards) was so preoccupied by the threat of sabotage from Hawaii’s 125,000 Japanese inhabitants that he foolishly parked all the bombers and fighters in Hickam and Wheeler Fields in neat rows, supposedly to make them easier to guard but actually making them sitting ducks.
What amazed me about watching this movie is how clueless Pearl Harbor’s defenders were on that Sunday morning. Though many people think the first shot of the Pacific War was fired by the Japanese, it was actually fired by the USS Ward on a Japanese midget submarine trying to sneak into the harbor. This happened roughly an hour before the first bomb fell on Battleship Row. I would have thought that the report of an unknown submarine being fired upon in a restricted area would have alerted the whole fleet. Wrong! American officers in Oahu were so certain that the Japanese would be spotted long before they could launch a strike that Captain James Earle (Richard Anderson) asks for confirmation before he tells his superiors. This does not make Adm. Husband E. Kimmel (Martin Balsam) very happy and I thought he was very angry that the Ward’s initial report did not reach him in time.
The movie makes clear to the audience that history often hinges on small but significant details. Who would have thought that the fate of two great nations would be decided by a diplomat’s slow typing speed, or that a report of a large radar blip off to the north of Oahu would be received with the phrase, “Well, don’t worry about it.”? It sounds like bad fiction but everything in this movie is based on historical fact.
Tora! Tora! Tora! has incredible battle scenes. Most of the aerial scenes were shot using either vintage planes or realistic replicas (because there are no flying Zero fighters, T-28 Texans were modified to look like the famous Japanese planes). The Navy actually allowed 20th Century-Fox to film in and around Pearl Harbor and rented a World War II era carrier that was to be decommissioned to serve as a stand in for the Japanese carrier. Clever editing, good miniature effects and carefully built live action sets give the illusion that one is actually reliving the Day of Infamy.
The 60th Anniversary Special Edition DVD was released around the same time as 2001’s Pearl Harbor. It features an all new 20-minute documentary, director’s commentary, the orginal theatrical trailer, and restores the movie to its original widescreen format. It has four audio tracks (English 4.1, the commentary, English Dolby Surround, French Mono), and subtitles in English and Spanish.