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Please maintain in mind that I am one of a handful of people that saw this film ON THE Stout Hide IN A MOVIE THEATER instead of fair on TNT, butchered for television, with commercial interruptions. It is great better the contrivance it was intended to be seen. After seeing the film twice ON THE Immense Camouflage during its tiny release, these are my comments:
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Imagine a Yuppie Gerard Butler. Sizable looking. Confident. Successful. Fair wife. Blooming sweet daughter. The perfect life in upscale suburban Chicago. Enter mysterious menacing stalking stranger and their worst nightmare begins. He threatens the life of their daughter as insurance for their obedience to his demands.
Sound like the typical ‘kidnapped kid’ flick? It’s not.
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It’s taut, suspenseful, edge of your seat storytelling combined with edifying solid performances by all, especially Bello and Brosnan. Butler is very sterling, but I’ve seen him better. I gain he filmed this on the heels of the grueling demands of 300 and it shows a bit. He may not be at the very top of his game here, but he quiet performs well.
Brosnan upped his credibility as an actor for me in this film. He played the menacing stranger perfectly. Honest the lawful tone of boom and facial expressions, joined with his eyes and body language, spoke in unison to perfection in every scene. I’d really like to glimpse more from him, he is a very edifying dramatic actor. I like him better as an older, broken-down man. More gritty, less suave.
Maria Bello is perfect as the mother held hostage by mother esteem and the need to protect her child at all costs.
I loved the collect. Where you might examine a really intense, gritty rep, this one opts for a quieter one with a hint of bluesy undertones and it works. It intensifies at the moral moments, but never takes a front seat as often happens in thrillers. It melds with the action and helps makes each scene into an audiovisual, emotional emulsion.
In fact, the whole film is impartial quieter than one would ask, given what is usually served up with films of this genre. There are no car chases, no last miniature rescues, no heroes. It never goes over the top. It has its feet on the ground and its eyes on what’s human and loyal.
This film is no dud. Even though it had a very tiny release, it is not the fault of the filmmakers or the actors. It is capable movie-making. You may not judge it’s one of the best films you’ve ever seen, but there’s a agreeable chance you’ll be glad that you got your money’s worth. I give it a obvious thumbs up.
Scale of 1-10? I give this an 8.
Warning: DON’T read distinguished about this film. DON’T stare the trailer over and over. The less you know going in, the better your experience of it will be. Because of one seemingly innocuous direct made by someone who’d seen it, I guessed the ending about halfway through. I wasn’t even trying. But things we hear stick in our minds whether we like it or not. I sincerely wish I had not guessed correctly. The rest of the film lost it’s suspense for me.
Hint: This is a two timer. It’s even better the second time.
This is a good psychological suspense thriller where the viewer has NO plan of the twists and turns in this movie. I truly enjoyed watching it but I’m finding it very hard to review. About all I can write is that the focus of the movie is on a couple whose child is kidnapped. From there, you have to discover the film, the kidnapper and his wishes and what develops. Prepare for surprises. If you like unpredictable suspense films, Pierce Brosnam (showing his age but tranquil involving) is gracious as are the other actors.
I can’t write more about this because I’ll give away the place. You deserve to be surprised. Sit aid and prepare to be thrilled.
I don’t buy this one getting remarkable publicity or even its appearance in theaters so it really took me by surprise. In the film, a couple leaves home for a brief respite with their child in the care of a sitter. From there, the suspense builds, along with the news that their child has been kidnapped. I will only add that you need to pay halt attention because what you gawk isn’t always what you consider.